In Aztec mythology, Coatlicue, also known as Teteoinan, is a powerful and complex goddess associated with life, death, and rebirth. Her name translates to "the one with the skirt of serpents," symbolizing her connection to both life and death. Coatlicue is often depicted as a fearsome figure with a skirt made of intertwining snakes, clawed hands, and a necklace of human hearts, hands, and skulls.
As the mother of the gods, Coatlicue plays a central role in Aztec cosmology. She is seen as the creator of all life and the earth itself. According to myth, Coatlicue became pregnant with the god Huitzilopochtli after a ball of feathers fell from the sky and touched her. This miraculous conception led to a series of events culminating in a cosmic battle between Huitzilopochtli and his siblings, representing the eternal struggle between life and death.
Coatlicue is often depicted as a fierce and nurturing deity, embodying the cycles of creation and destruction. She is associated with fertility, earth, and the natural world. Despite her fearsome appearance, Coatlicue is revered as a protector of humanity and a guardian of the earth. Her complex symbolism reflects the Aztec worldview, which viewed life and death as interconnected aspects of the divine order.
Coatlicue represents the duality of existence, embodying both the creative and destructive forces of the universe. Her imagery and mythology highlight the Aztec belief in the cyclical nature of life, where death is not an end but a transformation into new beginnings. Coatlicue's enduring significance in Aztec culture speaks to her role as a primal and powerful goddess who embodies the mysteries of life, death, and rebirth.
The hair dagger is made of a zinc and steel blend and measures approx 6.5 inches long
In Aztec mythology, Coatlicue, also known as Teteoinan, is a powerful and complex goddess associated with life, death, and rebirth. Her name translates to "the one with the skirt of serpents," symbolizing her connection to both life and death. Coatlicue is often depicted as a fearsome figure with a skirt made of intertwining snakes, clawed hands, and a necklace of human hearts, hands, and skulls.
As the mother of the gods, Coatlicue plays a central role in Aztec cosmology. She is seen as the creator of all life and the earth itself. According to myth, Coatlicue became pregnant with the god Huitzilopochtli after a ball of feathers fell from the sky and touched her. This miraculous conception led to a series of events culminating in a cosmic battle between Huitzilopochtli and his siblings, representing the eternal struggle between life and death.
Coatlicue is often depicted as a fierce and nurturing deity, embodying the cycles of creation and destruction. She is associated with fertility, earth, and the natural world. Despite her fearsome appearance, Coatlicue is revered as a protector of humanity and a guardian of the earth. Her complex symbolism reflects the Aztec worldview, which viewed life and death as interconnected aspects of the divine order.
Coatlicue represents the duality of existence, embodying both the creative and destructive forces of the universe. Her imagery and mythology highlight the Aztec belief in the cyclical nature of life, where death is not an end but a transformation into new beginnings. Coatlicue's enduring significance in Aztec culture speaks to her role as a primal and powerful goddess who embodies the mysteries of life, death, and rebirth.
The hair dagger is made of a zinc and steel blend and measures approx 6.5 inches long
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